“Lush and emotional themes played by a skilled chamber orchestra and brilliant leads by pianist Jean-Yves Thibaudet and cellist Caroline Dale are only the beginning for ATONEMENT. Dario Marianelli takes his score into waters that have been rarely dived and the end result being one of 2007's top efforts.” Of Letters and Stories Review by Christopher Coleman We've heard it said quite often, 'They just don't make movies like that anymore. Belt Bucket Elevator Design Second Edition more. ' Usually this refers to some beloved film from decades long gone. Having watched the film and listened to the score countless times now, I'm happy to report that 'they' most certainly do make movies 'like that' today.

Director Joe Writght's adaptation of Ian McEwan's best selling book, ATONEMENT, is well written, finely acted, beautifully photographed, and engagingly edited. ATONEMENT is easily one of the best films of 2007 and features one of the year's most innovative, dramatic scores. You might expect MARIANELLI's score to be of the standard, dramatic-romance variety, but McEwan's brilliant story and Wright's poignant telling of it demand much more than the standard fair. High Speed File Transfer Protocol. Lush and emotional themes played by a skilled chamber orchestra and brilliant leads by pianist Jean-Yves Thibaudet and cellist Caroline Dale are only the beginning for ATONEMENT. Dario Marianelli takes his score into waters that have been rarely dived and the end result being one of 2007's top efforts. Scoring and sound design find themselves intertwined to a greater and greater degree these days. Usually, though, we are talking about horror films or even video games when it comes to the blurring of this audio-line, not a film set in the World War II era.